The honey pot by Magali Reus has been given a new lease of life. Probably like everyone else who sometimes uses old pots for nails, rubber bands, or other small items. In the XL honey pot at the LAM museum, there’s still some pink paint. Over the original Bonne Maman label, there’s an owner’s tag. Reus calls it ‘domestic graffiti.’ The so-called delicious artisanal honey pot from France finally becomes truly authentic. A memento of a person in a time and place.